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三滴血2025
胡歌,文淇,高子淇,闫妮,宋佳,高叶,欧豪,李雪琴,杨新鸣,艾丽娅,马迎春,张奕聪,王悦伊,张本煜,汪铎,刘千慈三，是家的最小单位。血脉，是维系家庭的纽带。然而，三个素不相识的人却被命运交织在一起！ 善恶难辨的男人“驯鹿”，身怀六甲的女人李棋，哑巴男孩冰棍，三人假扮成一家人，游走于猎物与猎人之间，暗流已至，生死一瞬，一个关于家族式人口贩卖的黑暗链条逐渐浮出水面！
停滞
Dan Palmer,Tamaryn Payne,Mark Holden讲述一个看门人被困在一个女厕所，遇到一批僵尸的攻击……
自杀森林
娜塔莉·多默尔,泰勒·金尼,欧文·马肯,斯蒂芬妮·沃格特,小泽征悦,Rina Takasaki,樱井北子,Yûho Yamashita,藤本政志生活在美国的莎拉·普斯（娜塔莉·多默尔 Natalie Dormer 饰）近日来心神不宁，她有一个孪生妹妹杰西（娜塔莉•多默尔 Natalie Dormer 饰）在日本担任外教。然而杰西突然下落不明，莎拉拜托山梨县警方帮助搜查，最终得到的结果是杰西可能进入了拥有“自杀胜地”之称的青木原森林自我了断。莎拉绝不认同警方的推测，她不顾男朋友的阻拦，独自踏上前往日本的旅途。她最先来到了妹妹任教的学校，在调查未果之后乘上了前往青木原森林的列车。他人的劝阻无法拦住莎拉的脚步，她朝向森林深处走去。 在这一过程中，恐怖诡异的经历交替袭来……
马尔切洛·埃尔南德斯：美国男孩
马尔切洛·埃尔南德斯Marcello Hernandez: American Boy. Only on Netflix January 7.
第六感1999
布鲁斯·威利斯,海利·乔·奥斯蒙,托妮·科莱特,奥莉维亚·威廉姆斯,唐尼·沃尔伯格,特拉沃·摩根,彼得·安东尼·唐伯蒂斯,格伦·菲茨杰拉德,米莎·巴顿,Lisa Summerour,法尔德斯·巴姆,杰弗里·泽布尼斯麦克（布鲁斯·威利斯 饰）是著名儿童心理学家，却也有始终未能治愈的患者，甚至因此遭到枪击，这名少年随后也饮枪自毙。这给麦克带来很大心理阴影，一年后他找到另一个症状很像这名患者的男孩柯尔（海利·乔·奥斯蒙 饰），并耐心的做起了他的医生。柯尔并不容易接近，但麦克还是慢慢赢得 了他的信任，得知了柯尔的秘密。原来柯尔有着灵异的第六感，可以看到鬼魂。虽然这令人感到难以置信，但麦克在证实了事情的真相后还是帮助柯尔接受了这个事实。可是就在问题即将得到解决的时候，麦克却在柯尔的引导下，发现了一个更令人震惊的秘密……
校花与野出租
袁帅,蔡蝶,孙逢苑,王怡苏,孙小孟野出租司机雷小军结识校花后的离奇经历。一个野出租屌丝男，意外地得到了校花的青睐，正当两人更近一步时，校花却离奇失踪了……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.