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岛崎遥香,足立梨花,高田里穗,町田启太,中村育二,小市慢太郎生人活祭
艾米·西米茨,凯特·林恩·希尔,乔·斯万博格,AJ·鲍恩,Kentucker Audley害虫
宫崎葵,苍井优,田边诚一,凉,伊势谷友介宇宙之门
迪安娜·罗素,尼尔·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,乔治娜·布莱克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega非法入侵
尼古拉斯·凯奇,妮可·基德曼,本·门德尔森,丽亚娜·莱伯拉托,凯姆·吉甘戴,乔丹娜·斯皮罗,达什·米霍克,艾米丽·梅德,尼可·托托雷拉赤脚大仙
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红衣诡村之幻·谜
姚尧,车品孝,石稚昀,谢易真,李国麟,骆应钧郑家村,突然发生了一系列似怪异的事件。 众人来到郑家老宅,郑浩民在了解情况后,特邀请曾经的同事,考古学教授张信安前来一同进行科学调查。 张信安等人来到郑家村与郑浩民等开展了一系列的调查工作。 张信安在观察了郑家老宅后,从科学依据做出判断,郑家老宅四面环山傍水,阴湿气重,在地理上形同一个低洼混区,导致磁场混乱,各种正常人感知不到的微弱电波无法散发。 就在调查即将接近真相的时候,两位教授遭受莫名攻击,陷入可怕幻觉,导致两人当场昏迷。 事态进一步恶化,破开迷雾的重任压在了韩斌和张紫涵这一对年轻恋人身上。 韩斌在经过一系列的诡异后终于找出缘由。
绑架
保罗·皮耶罗邦,福斯托·鲁索·阿莱西,芭芭拉·朗奇,Enea Sala,莱昂纳多·马尔特斯,菲利波·蒂米,法布里齐奥·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韦尔尼齐,Aurora Camatti,保罗·卡拉布雷西,布鲁诺·卡里诺,Renato Sarti,Fabrizio Contri,费德里卡·弗拉卡西,查士丁尼·阿尔皮,亚历山德罗·班迪尼,James Basham,Leonardo Bianconi1858年,在博洛尼亚的犹太区,教皇的士兵闯入了莫塔拉家,按照枢机主教的命令,他们要抢走莫塔拉家的七岁儿子埃德加罗。这个孩子在婴儿时期被保姆秘密洗礼,教皇法律是不容置疑的:他必须接受天主教教育。莫塔拉的父母心痛万分,他们将不惜一切代价取回自己的儿子。在国际犹太社区和舆论 的支持下,莫塔拉家的斗争很快就带上了政治色彩。但是,教会和教皇不会同意归还这个孩子,因为这有助于巩固越来越动摇的权力……
求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹影片讲述父亲张释全因过失导致女儿身亡后误入邪教,试图通过求取神药救治重病儿子,在目睹妻子遭受邪教迫害后幡然醒悟,最终联合妻子揭露邪教并将其绳之以法,使儿子获得正规医疗救治的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
告白
松隆子,冈田将生,木村佳乃,西井幸人,桥本爱,芦田爱菜,三吉彩花,藤原薰,井之胁海,清水尚弥,高桥努,一井直树,能年玲奈,新井浩文,野本萤一所平凡的中学,1年B组即将迎来春假。不知天高地厚的学生们肆意吵闹,殊不知一场绵亘数月的风暴正向他们袭来。级任教师森口悠子(松隆子 饰)全然无视这片混乱,静静地向学生们做出最后的告白。这个单亲妈妈独自抚养着可爱的女儿(芦田爱菜 饰),然而女儿最终在游泳池中溺水身亡。警察 认定这是一起意外,森口则认定女儿死于班上两个学生之手。她不动声色地指责着犯人A和B,并宣布用自己的方式进行复仇。在此之后,森口辞去教师职务,1年B班的学生也心怀惴惴迎来了春假。新学期开始,残酷的风暴袭向了这群无知无畏的少男少女……本片根据湊かなえ的原作改编,并成为2010年电影旬报十佳影片;第34届日本电影学院奖最佳作品、最佳导演、最佳剧本和最佳剪辑4项大奖。